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Nina Chanel Abney Class of 2007, 2007 Acrylic on canvas Diptych, 114 x 183 in. (289.6 x 464.8 cm) overall; 114 x 42 1/4 in. (289.6 x 107.3 cm) left panel; 114 x 138 in. (289.6 x 350.5 cm) right panel Khaaliqua & Jeff, 2007 Acrylic on canvas 61 x 63 3/4 in. (155 x 162 cm) The Boardroom, 2008 Acrylic on canvas Diptych, 77 x 156 in. (195.6 x 396.2 cm) overall; 77 x 73 1/4 in. (195.6 x 186 cm) left panel; 77 x 80 3/4 in. (195.6 x 205.1 cm) right panel Untitled, 2008 Watercolor on paper 25 drawings, dimensions variable; 19 drawings, 10 x 7 in. (25.4 x 17.8 cm) each; 6 drawings, 7 x 10 in. (17.8 x 25.4 cm) each
John Bankston Man’s Country I, 2004 Oil on linen 78 x 96 in. (198.1 x 243.8 cm) Man’s Country II, 2004 Oil on linen 78 x 96 in. (198.1 x 243.8 cm) Rehearsal, 2004 Oil on linen 78 x 96 in. (198.1 x 243.8 cm) At the Crossroads, 2006-2007 Oil on linen 54 x 48 in. (137.1 x 122 cm) Beginning or End, 2006-2007 Oil and wax on linen 20 x 18 in. (50.8 x 45.7 cm)
Jean-Michel Basquiat Bird On Money, 1981 Acrylic and oil on canvas 66 x 90 in. (167.6 x 228.6 cm) One Million Yen, 1982 Oil on canvas with wood and jute 60 x 58 x 3 3/4 in. (152.4 x 147.3 x 9.5 cm) Untitled (Self-portrait), 1982-1983 Oil on wood 20 x 20 in. (50.8 x 50.8 cm)
Mark Bradford Whore in the Church House, 2006 Mixed media collage on canvas 103 x 142 in. (261.6 x 360.7 cm)
Iona Rozeal Brown Sacrifice #2: It Has to Last (after Yoshitoshi’s “Drowsy: the appearance of a harlot of the Meiji era”), 2007 Enamel, acrylic and paper on wooden panel 52 x 38 in. (132 x 96.5 cm) Untitled (after Kikugawa Eizan’s “Furyu nana komachi” [The Modern Seven Komashi]), 2007 Acrylic and paper on wooden panel 12 x 14 5/8 in. (30.5 x 37.1 cm)
Nick Cave Untitled, 2006 Fabric, sequins, fiberglass and metal 100 x 26 x 13 in. (254 x 66 x 33 cm) Soundsuit, 2008 Fabric, fiberglass and metal 102 x 36 x 28 in. (259 x 91.5 x 71 cm) Soundsuit, 2008 Human hair, fiberglass and metal 98 x 27 x 14 in. (248.9 x 68.6 x 35.6) Untitled, 2008 Fabric, sequins, fiberglass and metal 100 x 25 x 14 in. (254 x 63.5 x 35.6 cm)
Robert Colescott Untitled, 1970 Pencil on paper 19 3/4 x 26 in. (50.2 x 66 cm) Du, 1976 Color photograph 19 x 13 in. (48.3 x 33 cm) Passing, 1982 Charcoal on paper 60 x 33 in. (152.4 x 83.8 cm) Untitled (Adam and Eve), 1982 Charcoal on paper 83 1/2 x 29 1/2 in. (212 x 75 cm) Pygmalion, 1987 Acrylic on canvas 90 x 114 in. (228.6 x 289.6 cm.) Modern Day Miracles, 1988 Acrylic on canvas 84 x 72 in. (213.4 x 182.9 cm) Arabs: The Emir of Iswid (How Wide the Gulf?), 1992 Acrylic on canvas 84 x 72 in. (213.4 x 182.9 cm) Sunset on the Bayou, 1993 Acrylic on canvas 90 x 114 in. (228.6 x 289.5 cm) The Sphinx Speaks, 1993 Acrylic on canvas 84 x 72 in. (213.4 x 182.9 cm) Ode to Joy (European Anthem), 1997 Acrylic on canvas 90 x 114 in. (228.6 x 289.5 cm)
Noah Davis American Sterile, 2008 Oil on canvas 52 x 60 in. (132.1 x 152.4 cm) Basic Training 1, 2008 Oil and acrylic on canvas 10 x 10 in. (25.4 x 25.4 cm) Basic Training 2, 2008 Oil and acrylic on canvas 10 x 10 in. (25.4 x 25.4 cm) Basic Training 3, 2008 Oil and acrylic on canvas 10 x 10 in. (25.4 x 25.4 cm) Basic Training 4, 2008 Oil and acrylic on canvas 10 x 10 in. (25.4 x 25.4 cm) The Goat from Grayson, 2008 Oil on canvas 60 x 62 in. (152.4 x 157.5 cm) The Seven Prisoners of the Abyss, 2008 Oil on canvas 30 x 40 1/4 x 3 in. (76.2 x 102.2 x 7.6 cm)
Leonardo Drew Untitled #25, 1992 Cotton and wax 102 x 158 x 33 in. (259 x 401.3 x 83.8 cm)
Renée Green Between and Including, Set A (Akerman to Bogeyman), 1998 Black-and-white framed photographs, framed texts and painted wall 14 panels, dimensions variable; 10 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 4 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set B (Un Chien Andalou to Crossdressing), 1998 Black-and-white framed photographs, framed texts and painted wall 13 panels, dimensions variable; 7 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 6 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set C (Damas sobachkoi to Valie Export), 1998 Black-and-white framed photographs, framed texts and painted wall 15 panels, dimensions variable; 11 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 4 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set D (Earthquake to Alice Guy), 1998 Black-and-white framed photographs, framed texts and painted wall 18 panels, dimensions variable; 8 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 10 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set E (Marion Haensel to Invisible Invaders), 1998 Black-and-white framed photographs, framed texts and painted wall 15 panels, dimensions variable; 11 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 4 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set F (Journey to the Lost City to Mother’s Day), 1998 Black-and-white framed photographs, framed texts and painted wall 15 panels, dimensions variable; 9 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 6 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set G (Mothra to Cristina Perincoli), 1998 Black-and-white framed photographs, framed texts and painted wall 14 panels, dimensions variable; 9 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 5 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set H (Rock ‘N’ Roll Highschool to Things to Come), 1998 Black-and-white framed photographs, framed texts and painted wall 18 panels, dimensions variable; 9 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 9 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each Between and Including, Set I (Trinth T.Min-Ha to Xie Jin), 1998 Black-and-white framed photographs, framed texts and painted wall 13 panels, dimensions variable; 11 panels, 6 1/2 x 8 7/8 in. (16.5 x 22.5 cm) each; 2 panels, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm) each
David Hammons Esquire (or John Henry), 1990 Steel, rock, human hair and tin 45 x 9 x 5 in. (114.3 x 22 x 13 cm) The Holy Bible, Old Testament, 2002 1,002 page artist’s book, 225 color plates, leather-bound, soft cover, gilt edged, gold tooling, and slipcase, Ed. 117/165 13.5 x 10.5 x 2.5 in. (34.3 x 26.7 x 6.4 cm)
Barkley L. Hendricks Noir, 1978 Oil and acrylic on canvas 72 x 48 in. (182.9 x 121.9 cm)
Big Guy (from Three Game series), 1983 Oil, acrylic and gold leaf on canvas 43 1/2 x 43 1/2 in. (110.5 x 110.5 cm)
Rashid Johnson Citizen Band (Explorations in Topology), 2008 Wax, soap, shea butter, frame photographs and mixed media on fiberboard 48 x 96 x 12 in. (121.9 x 243.8 x 30.5 cm) Cosmic Slop 1 (Space Traders), 2008 Wax and soap on fiberboard 82 x 97 in. (208.3 x 246.4 cm) Cosmic Slop 2 (The Space Traders), 2008 Wax and soap on fiberboard 82 x 97 in. (208.3 x 246.4 cm) I Who Have Nothing, 2008 Wax, soap, shea butter and mixed media on fiberboard 48 x 48 x 12 in. (121.9 x 121.9 x 30.5 cm) The Crisis of the Negro Intellectual (The Power of Healing), 2008 Wax, soap, shea butter and mixed media on fiberboard Diptych, 96 x 96 x 12 in. ( 243.8 x 243.8 x 30.5 cm) overall; 48 x 96 x 12 in. (121.9 cm x 243.8 x 30.5 cm) each The New Negro Escapist Social and Athletic Club (Thurgood), 2008 Lambda print, Ed. 2/5 69 x 55 1/2 in. (175.3 x 141 cm)
Glenn Ligon Condition Report D, 2000 Iris print and iris print with serigraph, Ed. 18/20 Diptych, 35 x 56 in. (88.9 x 142.2 cm) overall; 35 x 26 in. (88.9 x 66 cm) each Malcom X, Sun, Frederick Douglass, Boy with Bubbles # 3 (version 2), 2001 Vinyl-based paint and silkscreen on paper 23 x 16 1/2 in. (58.5 x 42 cm) Stranger #21, 2005 Acrylic, coal dust, silkscreen, gesso and oil stick on canvas 96 x 72 in. (243.8 x 182.9 cm)
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Untitled (I Sell the Shadow to Sustain the Substance), 2005 Neon sign and paint, Ed. 3/3 7 1/2 x 192 1/2 in. (19 x 489 cm) Mirror #7, 2006 Acrylic, coal dust, silkscreen, gesso and oil stick on canvas 84 x 60 in. (213.4 x 152.4 cm) Untitled (Negro Sunshine), 2006 Neon sign, Ed. 3/7 4 x 48 in. (10.1 x 121.9 cm) Gold Nobody Knew Me #1, 2007 Acrylic and oil stick on canvas 32 x 32 in. (81.3 x 81.3 cm) Gold When Black Wasn’t Beautiful #1, 2007 Acrylic and oil stick on canvas 32 x 32 in. (81.3 x 81.3 cm) America, 2008 Neon sign and paint, Ed. AP 24 x 168 in. (61 x 426.7 cm) Untitled (Malcolm X), 2008 Acrylic, vinyl-based paint and pencil on paper mounted on fiberboard 132 x 107 in. (335.3 x 271.8 cm)
Kalup Linzy Conversations wit de Churen IV: Play wit de Churen, 2005 Digital video, color, sound, Ed. 1/5 Duration: 15 min. 49 sec. Conversations with de Churen V: As da Art World Might Turn, 2006 Digital video, color, sound, Ed. 2/5 Duration: 11 min. 16 sec. Untitled (Golden No. 1), 2006 Gouache on paper 12 x 16 in. (38.1 x 40.6 cm) Untitled (Golden No. 2), 2006 Gouache on paper 12 x 16 in. (38.1 x 40.6 cm) Untitled (Golden No. 3), 2006 Gouache on paper 12 x 16 in. (38.1 x 40.6 cm) Untitled (I’ll Take You There No. 1), 2006 Gouache on paper 12 x 16 in. (38.1 x 40.6 cm) Untitled (I’ll Take You There No. 3), 2006 Gouache on paper 12 x 16 in. (38.1 x 40.6 cm) Untitled (I’ll Take You There No. 4), 2006 Gouache on paper 12 x 16 in. (38.1 x 40.6 cm) SweetBerry Sonnet, 2008 Digital video, color, sound, Ed. 1/5. Duration: 37 min. 54 sec.
Kerry James Marshall Untitled, 1998-1999 8-color unique woodcut Twelve panels, 98 1/2 x 608 1/2 in. (250 x 1545.6 cm) overall; 98 1/2 x 50 1/2 in. (250 x 128.3 cm) each Souvenir: Composition in Three Parts, 1998-2000 Plastic, glass, paper, wood, steel and framed video still 98 x 32 x 22 in. (248.9 x 81.3 x 55.9 cm) Vignette #10, 2007 Acrylic on fiberglass 74 x 110 in. (188 x 279.4 cm)
Rodney McMillian Untitled, 2005 Carpet 139 x 178 x 114 in. (353 x 452 x 289.6 cm) Untitled, 2007 Vinyl, thread wood, metal and styrofoam 162 x 264 x 96 in. (411.5 x 670.6 x 243.8 cm)
Wangechi Mutu Non je ne regrette rien, 2007 Ink, acrylic, glitter, cloth, paper collage, plastic, plant material and mixed media on Mylar 54 1/2 x 92 1/2 in. (138.4 x 233.7 cm) The Evolution of Mud Mama from Beginning to Start, 2008 Watercolor, gold leaf and collage on paper 6 panels, 19 1/2 x 75 in. (49.5 x 190.5 cm) overall; 14 1/4 x 11 in. (36.2 x 28 cm) each
William Pope.L The Great White Way, 22 miles, 9 years, 1 street, 2001-2002 Digital video, Ed. 1/5 Duration: 5 min. Skin Set: Red People Are the Niggerss of the Canyon, 2004 Ink, Wite-Out, coffee, and hair on paper 8 1/2 x 11 in. (21.6 x 28 cm) Skin Set: Purple People Are Reason Bicarbonate, 2006-2007 Ink, Wite-Out, and coffee on paper 8 1/2 x 11 in. (21.6 x 28 cm) Foraging (asphixia version), 2008 Digital C-print, Ed. 1/5 20 x 24 in. (50.8 x 61 cm) Skin Set: Brown People Are the Green Ray, 2008 Cray-Pas, acrylic, and ink on paper 8 1/2 x 11 in. (21.6 x 28 cm) Skin Set: Green People Are Shitty, 2008 Ink on paper 8 1/2 x 11 in. (21.6 x 28 cm) Skin Set: White People Are Black People by Neuroses, 2008 Ink on paper 8 1/2 x 11 in. (21.6 x 28 cm) Skin Set: Yellow People Are Hydrogenated, 2008 Ink on paper 8 1/2 x 11 in. (21.6 x 28 cm)
Gary Simmons Chalkboard Drawing #1, 1992 Acrylic and charcoal on chalkboard 47 x 60 in. (119.4 x 152.4 cm) Chalkboard Drawing #3, 1992 Acrylic and charcoal on chalkboard 47 x 60 in. (119.4 x 152.4 cm) Duck, Duck, Noose, 1992 Wood, cloth, metal and hemp Dimensions variable Erasure Series (White Washed Drawings) #11, 1992 Acrylic and charcoal on paper 30 x 22 1/4 in. (76.2 x 56.5 cm) Erasure Series (White Washed Drawings) #2, 1992 Acrylic and charcoal on paper 30 x 22 1/4 in. (76.2 x 56.5 cm) Erasure Series (White Washed Drawings) #8, 1992 Acrylic and charcoal on paper 30 x 22 1/4 in. (76.2 x 56.5 cm) Erasure Series (White Washed Drawings) #9, 1992 Acrylic and charcoal on paper 30 x 22 1/4 in. (76.2 x 56.5 cm) Hollywood, 2008 Pigment, oil and cold wax on canvas 84 x 120 in. (213.4 x 304.8 cm)
Xaviera Simmons Make the Fist, 2004 Color Photograph, Ed. 1/5 30 x 40 in. (76.2 x 101.6 cm) American Book Covers, 2007 Color Photograph, Ed. 1/5 30 x 40 in. (76.2 x 101.6 cm) One Day and Back Then (Seated), 2007 Color Photograph, Ed. 3/7 30 x 40 in. (76.2 x 101.6 cm) One Day and Back Then (Standing), 2007 Color Photograph, Ed. 2/5 30 x 40 in. (76.2 x 101.6 cm) Appear, Appease, Applaud (Also, Perhaps, Maybe), 2008 Chromira C-print, Ed. 1/5 30 x 40 in. (76.2 x 101.6 cm) Beyond the Canon of Landscape (For Orhan. P, Zadie. S, Nia and Naima. M), 2008 Chromira C-print, Ed. 1/5 40 x 30 in. (101.6 x 76.2 cm)
Lorna Simpson Wigs (Portfolio), 1994 Waterless lithograph and felt 38 panels, 72 x 162 1/2 in. (182.9 x 412.8 cm) overall; 18 panels, 23 x 18.5 in. (58.4 x 47 cm) each; 2 panels, 32 x 16 in. (81.3 x 40.6 cm) each; 18 small text panels, dimensions variable
Shinique Smith a bull, a rose, a tempest, 2007 Fabric and found objects Dimensions variable Crone-Huntress, 2007 Wool, fabric and mixed media 75 x 100 x 70 in. (190.5 x 254 x 177.8 cm) Menagerie, 2007 Mixed media on canvas 72 x 48 in. (182.9 x 121.9 cm)
Jeff Sonhouse Yellow is Mellow, 2001 Oil on canvas 59 1/2 x 42 in. (151.1 x 106.7 cm) Exhibit A: Cardinal Francis Arinze, 2005 Oil and mixed media on wooden panel 78 x 61 in. (198.1 x 154.9 cm) Visually Impaired, 2008 Oil on canvas 78 x 61 in. (198.1 x 154.9 cm)
Henry Taylor Oh Henry, 2006 Acrylic on canvas 96 x 76 in. (243.8 x 193 cm) Lusiana, 2007 Acrylic on canvas 44 x 36 in. (111.8 x 91.4 cm) Chicago Cooks, 2008 Acrylic on canvas 43 1/2 x 84 1/2 in. (110.5 x 214.6 cm) Love Pam, 2008 Acrylic on canvas 47 x 35 in. (119.4 x 88.9 cm) Miss Leah, 2008 Acrylic on canvas 68 3/4 x 92 1/4 in. (161.9 x 235 cm)
Hank Willis Thomas Basketball and Chain, 2003 Digital C-print, Ed. 2/3 99 x 55 in. (251.5 x 139.7 cm) Branded Head, 2003 Digital C-print, Ed. AP 99 x 52 in. (251.5 x 132 cm) Priceless, 2004 Digital C-print, Ed. AP 71 x 89 in. (180.3 x 226 cm) An Unidentified Jamaican Boy Used the Puma H Street Running Shoe to Run for his Freedom 2003/2005, 2005 Digital C-print, Ed. 2/5 28 1/2 x 36 in. (72.4 x 91.5 cm) Exxon: Black Street Art 1973/2005, 2005 Digital C-print, Ed. 1/5 36 x 28 5/8 in. (91.4 x 72.8 cm) Liberation of T.O.: “I’m not goin’ back to work for massa’ in dat darned field!” 2003/2005, 2005 Digital C-print, Ed. of 5 plus 1 artist’s proof 34 1/2 x 30 in. (87.8 x 76.2 cm) 21st Century Soul Power 2005/2006, 2006 Digital C-print, Ed. 2/5 36 x 27 in. (91.4 x 68.6 cm) Caramel Cocoa Butta’, Honey Lovah You’re Like No Otha’ 1982/2006, 2006 Digital C-print, Ed. 1/5 38 5/8 x 30 in. (98.2 x 76.2 cm) Cucci #2: It’s Time for Jungle Fever 2001/2006, 2006 Digital C-print, Ed. 2/5 36 x 28 1/4 in. (91.4 x 71.9 cm) Don’t Let Them Catch You! 2004/2006, 2006 Digital C-print, Ed. 3/5 36 x 24 in. (91.4 x 61 cm) Duke Natural 1968/2006, 2006 Digital C-print, Ed. 1/5 34 x 26 7/8 in. (86.4 x 68 cm) How to Market Kitty Litter to Black People: Ebony Magazine 2005/2006, 2006 Digital C-print, Ed. 1/5 36 x 30 in. (91.4 x 76.2 cm)
It’s the Real Thing! 1978/2006, 2006 Digital C-print, Ed. 1/5 32 3/4 x 30 in. (83.3 x 76.2 cm)
Mama’s Cooking Cornbread! 1992/2006, 2006 Digital C-print, Ed. 1/5 36 x 28 in. (91.4 x 71.5 cm) Motion for Kids Allows Hair to be Blown Straighter 2002/2006, 2006 Digital C-print, Ed. 3/5 36 x 28 3/4 in. (91.4 x 73 cm) Oh, Behave: Smooth Exotic Vivid Taste 1999/2006, 2006 Digital C-print, Ed. 1/5 34 3/4 x 28 3/4 (88.3 x 73 cm) Once upon a time in America there were no slaves 2001/2006, 2006 Digital C-print, Ed. 2/5 18 7/8 x 36 in. (48 x 91.4 cm) Petey Wheatstraw: The Devil’s Son-In Law 2000/2006, 2006 Digital C-print, Ed. 1/5 35 3/4 x 33 3/4 in. (90.8 x 85.7 cm) Slack Power 1969/2006, 2006 Digital C-print, Ed. 1/5 36 x 27 3/4 in. (91.5 x 70.4 cm) Smokin’ Joe Ain’t J’mama 1978/2006, 2006 Digital C-print, Ed. 2/5 31 1/4 x 30 in. (79.9 x 76.2 cm)
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So Glad We Made It 1979/2006, 2006 Digital C-print, Ed. 4/5 30 x 34 in. (76.2 x 86.4 cm) The Oft Forgotten Black Flower Children of Harlem 1969/2006, 2006 Digital C-print, Ed. 3/5 34 x 27 5/8 in. (86.4 x 70.1 cm) Things That Make You Go Hmmmmm?!! 2000/2006, 2006 Digital C-print, Ed. 1/5 25 1/2 x 34 in. (64.6 x 86.4 cm) Things That Make You Go Oooh! 1999/2006, 2006 Digital C-print, Ed. 1/5 34 x 27 3/4 in. (86.4 x 70.5 cm) ...and the rest was her story 1985/2007, 2007 Digital C-print, Ed. 1/5 36 x 28 3/8 in. (91.4 x 72.3 cm) A Natural Exposion! Afro Sheen® Blowout Creme Relaxer 1973/2007, 2007 Digital C-print, Ed. 2/5 30 x 36 in. (76.2 x 91.5 cm) Alive with Pleasure 1990/2007, 2007 Digital C-print, Ed. 1/5 30 x 40 in. (76.2 x 101.6 cm) And They Called It “Buppy Love” 1983/2007, 2007 Digital C-print, Ed. 1/5 36 x 28 in. (91.4 x 71 cm) Are You the Right Kind of Woman for It? 1974/2007, 2007 Digital C-print, Ed. 1/5 30 x 39 1/4 in. (76.2 x 99.4 cm) Available in a Variety of Sizes and Colors 1977/2007, 2007 Digital C-print, Ed. 1/5 32 x 30 in. (81.3 x 76.2 cm) Can You Dig It? 1974/2007, 2007 Digital C-print, Ed. 1/5 36 x 21 in. (91.4 x 53.3 cm) Farewell Uncle Tom 1971/2007, 2007 Digital C-print, Ed. 1/5 36 x 30 in. (91.3 x 76.2 cm) For the African and the American in You 1997/2007, 2007 Digital C-print, Ed. 1/5 23 x 39 in. (58.4 x 99 cm) Funny How Things Change 2007/2007, 2007 Digital C-print, Ed. 1/5 36 x 27 in. (91.4 x 68.6 cm) Get Off On the Right Foot 1988/2007, 2007 Digital C-print, Ed. 1/5 36 x 27 in. (91.4 x 68.5 cm) Gotten 1996/2007, 2007 Digital C-print, Ed. 1/5 36 x 28 1/4 in. (91.4 x 71.8 cm) Introducing New Extra Strength Fulla Waves for Course, Thick, and Unruly Hair 1982/2007, 2007 Digital C-print, Ed. 1/5 27 7/8 x 36 in. (70.6 x 91.4 cm) It Could Happen to You 1989/2007, 2007 Digital C-print, Ed. 1/5 35 x 30 in. (88.8 x 76.2 cm) Jungle Fever 1991/2007, 2007 Digital C-print, Ed. 1/5 35 7/8 x 30 in. (90.9 x 76.2 cm) Just for the Taste of It 1989/2007, 2007 Digital C-print, Ed. 1/5 28 x 36 in. (71.1 x 91.4 cm) Late Night, Soft Lights 1990/2007, 2007 Digital C-print, Ed. 1/5 35 x 30 in. (88.9 x 76.2 cm) Let Beauty Go to Your Head 1987/2007, 2007 Digital C-print, Ed. 1/5 36 x 28 5/8 in. (91.4 x 72.6 cm) Love Hang-Over 1976/2007, 2007 Digital C-print, Ed. 1/5 36 x 25 in. (91.4 x 63.5 cm) Make a Radical Departure 1985/2007, 2007 Digital C-print, Ed. 1/5 34 x 30 in. (86.4 x 76.2 cm) Many Happy Returns 1980/2007, 2007 Digital C-print, Ed. 1/5 30 x 32 in. (76.2 x 81.3 cm) Martin Luther Burger King? 1986/2007, 2007 Digital C-print, Ed. 1/5 36 x 30 in. (91.4 x 76.2 cm) McM.L.K. 1986/2007, 2007 Digital C-print, Ed. 1/5 36 x 27 3/4 in. (91.4 x 70.5 cm) Now there’s a doll that can make a real difference in her life: Shani, the first black Barbie. 1991/2007, 2007 Digital C-print, Ed. 1/5 34 1/4 x 30 in. (87.3 x 76.2 cm) O.J. Dingo 1980/2007, 2007 Digital C-print, Ed. 2/5 36 x 27 1/4 in. (91.4 x 69.3 cm) Ode to the Ill Nana 1998/2007, 2007 Digital C-print, Ed. 1/5 36 x 28 3/8 in. (91.4 x 72 cm) Reparations 101: “I lost my job, my house, my Rolls Royce, my family left me...what else can go wrong?” “Hi Dad!” 1981/2007, 2007 Digital C-print, Ed. 1/5 31 1/4 x 30 in. (79.4 x 76.2 cm) Something to Believe In 1984/2007, 2007 Digital C-print, Ed. 1/5 36 x 27 5/8 in. (91.4 x 69.9 cm) The French Way 1979/2007, 2007 Digital C-print, Ed. 1/5 16 x 36 in. (41.1 x 91.4 cm) The Gidget of Hunter’s Point 1993/2007, 2007 Digital C-print, Ed. 1/5 36 x 28 in. (91.4 x 71.1 cm) The Johnson Family 1981/2007, 2007 Digital C-print, Ed. 1/5 31 1/4 x 30 in. (79.4 x 76.2 cm) The Mandingo of Sandwiches 1977/2007, 2007 Lambda photograph, Ed. 1/5 36 x 34 3/4 in. (91.4 x 88.5 cm) The Refreshest 1987/2007, 2007 Digital C-print, Ed. 1/5 36 x 26 5/8 in. (91.4 x 67.7 cm) Wanted: Tall, dark stranger for long lasting relationship...seeking smoking satisfaction. 1988/2007, 2007 Digital C-print, Ed. 1/5 33 3/4 x 26 in. (85.8 x 66 cm) What’s love got to do with it? 1983/2007, 2007 Digital C-print, Ed. 1/5 33 7/8 x 28 5/8 in. (85.9 x 72.4 cm) When the Going Gets Hard, the Whiskey Should be Soft, 1972/2007, 2007 Digital C-print, Ed. 1/5 32 1/4 x 30 in. (80 x 76.2 cm) Who Can Say No to a Gorgeous Brunette? 1970/2007, 2007 Digital C-print, Ed. 1/5 31 1/8 x 30 in. (79 x 76.2 cm) Why wait another day to be adorable? Tell your beautician “Relax me” 1968/2007, 2007 Digital C-print, Ed. 1/5 34 1/8 x 30 in. (86.7 x 76.2 cm) A Moisturizer That Firms as it Tightens? Bet Your Bottom Dollar! 2002/2008, 2008 Digital C-print, Ed. 1/5 36 x 27 in. (91.4 x 68.7 cm) After 61 Years of Service, I Ben, Promoted. 2007/2007, 2008 Digital C-print, Ed. 1/5 36 x 29 1/4 in. (91.4 x 74.4 cm) Be Careful What You Wish For 1996/2008, 2008 Digital C-print, Ed. 1/5 36 x 29 7/8 in. (91.4 x 75.7 cm) Bleach and Glow 1975/2008, 2008 Digital C-print, Ed. 1/5 36 x 27 7/8 in. (91.4 x 70.8 cm) By Any Means Necessary 1993/2008, 2008 Digital C-print, Ed. 1/5 30 x 32 3/8 in. (76.2 x 82.2 cm) Celebrate Your Specialness 1997/2008, 2008 Digital C-print, Ed. 1/5 30 x 32 1/2 in. (76.2 x 82.7 cm) From the Heart of Africa Comes a Fragrance to Capture the Heart of Every Woman 1994/2008, 2008 Digital C-print, Ed. 1/5 35 3/8 x 27 7/8 in. (90.1 x 70.6 cm) Holy Boot! 1998/2008, 2008 Digital C-print, Ed. 1/5 35 1/2 x 30 in. (90.2 x 76.2 cm) It’s a Great American Custom 1995/2008, 2008 Digital C-print, Ed. 1/5 36 x 28 1/8 in. (91.4 x 71.6 cm) Kama Mama, Kama Binti (Like Mother, Like Daughter) 1971/2008, 2008 Digital C-print, Ed. 1/5 32 x 30 in. (81.4 x 76.2 cm) Membership has its Privileges 2006/2008, 2008 Digital C-print, Ed. 1/5 36 x 28 5/8 in. (91.4 x 72.6 cm) Mist Behavin’ 1992/2008, 2008 Digital C-print, Ed. 1/5 30 x 30 3/4 in. (76.2 x 77.7 cm) Movin’ On Up 1976/2008, 2008 Digital C-print, Ed. 1/5 32 7/8 x 30 in. (83.2 x 76.2 cm) Power Is Nothing Without Control 1994/2008, 2008 Digital C-print, Ed. 1/5 20 x 36 in. (51.1 x 91.4 cm) Pucker Up! 1972/2008, 2008 Digital C-print, Ed. 1/5 33 5/8 x 30 in. (85.5 x 76.2 cm) Ride in Style 1984/2008, 2008 Digital C-print, Ed. 1/5 30 x 36 in. (76.2 x 91.4 cm) Smell Like a Bargain 1995/2008, 2008 Digital C-print, Ed. 1/5 36 x 27 5/8 in. (91.4 x 70.3 cm) Untitleable 2006/2008, 2008 Digital C-print, Ed. 1/5 30 x 40 in. (76.2 x 101.6 cm) Viceroy 1975/2008, 2008 Digital C-print, Ed. 1/5 30 x 29 5/8 in. (76.2 x 75.4 cm) We Are On Our Way 1970/2008, 2008 Digital C-print, Ed. 1/5 33 3/8 x 30 in. (84.9 x 76.2 cm) We are the Canvas 2004/2008, 2008 Digital C-print, Ed. 1/5 36 x 28 1/8 in. (91.4 x 71.4 cm) Welcome to Full Contact Culture 2007/2008, 2008 Digital C-print, Ed. 1/5 36 x 26 in. (91.4 x 66 cm) Your Skin has the Power to Protect You 2008/2008, 2008 Digital C-print, Ed. 1/5 36 x 27 1/2 in. (91.4 x 69.7 cm)
Mickalene Thomas Hotter than July, 2005 Acrylic, rhinestone and enamel on wooden panel 60 x 72 in. (152.4 x 182.9 cm) Instant Gratification (from Brawling Spitfire Wrestling series), 2005 Acrylic, rhinestone and enamel on wooden panel 84 x 72 in. (213.4 x 182.9 cm) Feel Like Makin’ Love, 2006 Acrylic, rhinestone and enamel on wooden panel 84 x 96 in. (213.4 x 243.8 cm) Portraits of Quanikah, 2006 Acrylic, rhinestone and enamel on wooden panel 15 panels, 70 x 126 in. (178.8 x 320 cm) overall; 12 panels, 24 x 20 in. (61 x 50.8 cm) each; 3 panels, 20 x 24 in. (50.8 x 61 cm) each Baby I Am Ready Now, 2007 Acrylic, rhinestone and enamel on wooden panel Diptych, 72 x 132 in. (182.9 x 335.3 cm) overall; 72 x 60 in. (182.9 x 152.4 cm) left panel; 72 x 72 in. (182.9 x 182.9 cm) right panel
Kara Walker Camptown Ladies, 1998 Paper and adhesive on wall 97 1/2 x 666 in. (247.7 x 1691.6 cm)
Carrie Mae Weems Descending the Throne (from From Here I Saw What Happened and I Cried series), 1995-1996 Two monochrome c-prints with sand-blasted text on glass in artist frames, Ed. 6/10 Diptych, 26 1/2 x 58 in. (67.3 x 147.3 cm) overall; 26 1/2 x 22 3/4 in. (67.3 x 57.8 cm) each You Became a Scientific Profile/ An Anthropological Debate/ A Negroid Type/ & A Photographic Subject (from From Here I Saw What Happened and I Cried series), 1995-1996 Four monochromatic c-prints with sand-blasted text on glass in artist frames, Ed. 2/10 Diptych, 59 x 51 in. (149.9 x 129.5 cm) overall; 26 3/4 x 22 3/4 in. (68 x 57.8 cm) each
Kehinde Wiley Equestrian Portrait of the Count Duke Olivares, 2005 Oil on canvas 108 x 108 in. (274.3 x 274.3 cm) Triple Portrait of Charles I, 2007 Oil and enamel on canvas Triptych, 82 x 96 in. (208.3 x 243.8 cm) overall; 82 x 45 in. (208.3 x 114.3 cm) each
Purvis Young Untitled, 1985-1999 Paint on wooden panel Diameter of panel, 54 in. (137.2 cm)
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